Diadem: Selected Poems (Paperback)
Since the publication of her first books in the mid-1950s, Marosa di Giorgio has introduced a seemingly indefinable element into Uruguayan literature. Angel Rama and Roberto Echavarren regard her as one of the most original and brilliant descendants of the Uruguayan-born Lautreamont. Other commentators portray her as an eccentric whose poetic prose is virtually synonymous with the idiosyncratic She is therefore a writer who has been praised but also marginalized insofar as she is repeatedly held up as the mad woman’ of contemporary Uruguayan letters because of a critical tendency to theorize negatively the very aspect of di Giorgio’s surrealist practices for which she has become most famous: her visionary escapism.”
KATHRYN A. KOPPLE, the Journal of Latin American Cultural Studies